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This item is part of our 2020 rewind . follow while we explore the best and most interesting movies, shows, performances and more of this very strange year. In this entry we explore the best video essays of 2020.
In 2020, the distraction was a gift. Happy, video essays equipped with sharp wits and even sharper edits. Some unpacked new pages of the popular classics. Others came out to play for the first time on new discoveries. And others helped us find the words as it is to look for consolation in passive entertainment during a year, which felt outrageably passive for most of us.
In 2020, I had the privilege to host the queue, a column dedicated to highlighting short-form video content over films, television and the craft of visual storytelling. These twenty essays are some of my favorites. And I sincerely want to thank all essayists for their hard work in a year when hard work was not easy. Thank you for making us and talking to us. I hope to see you again in my lining in 2021.
The love story in the center of Céline Sciamma 's portrait of a woman in fire Unfurlt by texture, composition, body language, and color. It is a reasonable picturesque movie that ultimately is no different, but rhyme and burst with her colleagues. So, if you've ever seen, "Huh, this shot reminds me of another movie, but I can not quite describe why," This will prove a satisfactory clock.
-arin-based actress and videographers Candice drouet is an old favorite around these parts. She is currently working with the French television channel +. You can follow Instagram here with Drouet. On Twitter here. And you can check your rear catalog of videos on Vimeo here.
Moments of the unpacked horror have an eerie way to sneak in . But nowhere else he slims the genre waters pretty much like baking . What I love about this video is that the essayist is rather on the meat of the matter, rather than playing taxonomic ping-pong. Namely: Which horror genre traditions take jaws part where it challenges?
This video is from Grace Lee . We have covered her work on the FSR before and with good reason: they are an expert to combat density and demanding content with a sharp eye, an elegant flourish and an overwhelming cultural driving train. You can follow Lee on your Youtube channel , which is so great about it? here. You can follow Lee here on Twitter. And you can support Lee here on Patreon.
This is one of these essays, which makes a great work to clarify something that has long since suspected them with crispy, clearly articulated facts. Maybe you have a foggy feeling of 3D-FAD status or his repeated attempts to win the hearts and eyes of the audience. But the entire recurring nightmare is satisfactory (and informative!).
This video essay was compiled by the Texas-based Royal Ocean Film Society , which is operated by Andrew Saladino . You can browse your gift of videos on your Vimeo account here. If Vimeo is not your speed, you can give you a consequences of YouTube here.
First, you do not have to be familiar with crayon shin-chan to enjoy it.This is an essay created by a place of nostalgia located at the boundaries of Nostalgia. I think many of us have searched in old, familiar films in response to the pandemic in old, familiar films. And what I like so much about this essay is that it clearly conveys the heat of returning to a beloved artwork, as well as the importance to accept the difficult truth that is inevitable.
This video is from Accented Cinema , a Canadian YouTube video essay series with a focus on foreign, especially eastern Asian cinema. You can subscribe to the accentual cinema for bi-weekly uploads on YouTube. You can also follow you on Twitter.
The Turin Horse is a movie based on the event allegedly caused the spiritual collapse of the philosopher-Friedrich Nietzsche. I hope the sentence turns out why a video essay could be helpful here. Since the legend has it, the disorder of the philosopher (which in turn led to his death) took place in Turin, where he collapsed after bringing a man with the witness of the man who struck his horse. Béla Tarr is the story of what happened to this horse. But it is also about the belief that self-satisfaction is destructive, a philosophical concept, which best described by those described else, but Nietzsche himself.
The motion picture is a movie journal, which was edited by Grant Kerber and Paul Ebeykamp . Your companion YouTube channel contains videos based on the contents of the magazine and analog projects. You can subscribe to the motion picture on YouTube. You can check the journal's website here.