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Are you the ever-increasing fees associated with the licensing of a copyrighted song, not not to mention the small assets that it takes to license a medley of more than one song? Or maybe they were denied that they refuse permission to arrange a certain song, but still put their hearts on something, just like it for their show?
I have the answer for you: Custom-written, original music.
Listen to find the perfect song to adapt to your needs and to be written for you. In this way, you get exactly what you want musical and lyrical - and you will receive a finished product that has been individually designed to highlight your group's strengths, and give the potential weaknesses.
The best of all, the price of a custom original song is less than the average price of a book-choir arrangement of a copyrighted song in today's market. You can not beat the fact that there are no license fees, and no potential effort about changing a note in a score that could get more license fees.
The process could not be easier: they turn to the songwriter-an-arranger, who has experience in show choir format, which can also write original music.
You let you know about your show concept, the role / feature of this song is played, the lyrical message you want to communicate, and the music style you are looking for.
If you have a song that you think you want it to be similar to him, that's even more helpful. The right songwriter will be brainstorming and send you some lyrical ideas first to make sure you are on the right track with your vision.
At this point, if you want to use writing the texts, or even give your students the opportunity to be involved, many songwriters are totally open and the feeling that he has the education experience and investment in the show Reinfects the children.
As soon as a final poetry is completed, the songwriter processes the announcement of vocals. The right songwriter should once again send you the piano / singing value for your feedback and the final permit before completing the rest of the score.
The songwriter should send you patterns of piano / vocal value at least once or twice as twice as it is in the processing so you get a feel for the melody and the overall structure of the piece. This is important: If you run at every point along the way you feel the song, put in the wrong direction, make sure that the finished product is exactly what you imagine, and it's no time or time Waste money..
Communication is vital - both the director and the songwriter should feel as if they could be completely honest with each other! As soon as the finished piano / singing is submitted, you can specify your final feedback and approval before the rest of the score is complete.
In addition to all instrumental values ??for your band, you should receive a recording with fully sung singing as well as an instrumental recording that you can use for choreography practice.
Like anyone who worked with me for custom music in the past, the turnaround time is the key. You need a songwriter that can work extremely quickly and never follow a piece until it is 100% satisfied.
You also need a songwriter that does not stop "personal system" on the music you write, and changes the score to better adapt the needs of your group.
Many show choir directors have already learned first-hand, the benefits that put their own original songs into operation.Director Brett Carroll of Burbanks "Sync" needed a certain "moment" in his show and described thematically what was needed. He believed that the texts "fit perfectly," describes the product as a "masterpiece".
Carroll talked to what a simple process was as director when he was as director for him, where he tailored something to the singing style of the Group on a fashion tailored "the singers in such a magical manner."
John Parezo, director of Sioux Falls Roosevelt's "Capitol Harmony", could not be able to secure the permission of copyright rights for a melody he had planned for his show choir of women, so he worked with me to create your own original song. Parezo explains: "I was nervous at first, but the process was actually very simple and totally worth."He told me he wanted a "jazzy second number that feels a similar feeling for the desired song, which we originally wanted," so I came with some texts. Parezo made Tweaks and sent them back by e-mail. He is called, "can just buy and use immediately! A few weeks we had a design of a piano / singing value to" get away, Joe! "I printed it out and let my girls sing it this afternoon. They loved it and we loved it and we loved it and we loved it knew it would be a hit. " After the first Sing-Through, Parezo decided to lower me the key and adapt the area as he had an old-heavy group this year. He also wanted to make some cuts to better adapt the time of their show. In addition to the enthusiasm of the piece he was satisfied with the price.
He is called, "I was shocked when I got the bill - it was much less expensive than to arrange someone out of the radio and pay copyright fees! I will certainly do more of these originals in the future To save costs! "
Here is the best benefit for all: you and your students can be able to publish or distribute videos of their performance free to publish or distribute videos of their performance to the content of their heart, without the harassment or threats of legal action Do not worry.
The song belongs to the library of her school forever.
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